Iveta Slavkova
Associate Professor
- Department: Art History and Fine Arts

Professor Slavkova has a PhD in Art History from Paris I Panth茅on-Sorbonne. Her PhD dissertation, partly听published听under the title听鈥淩茅parer l'homme. La crise de l鈥檋umanisme et l鈥橦omme nouveau des avant-gardes autour de la Grande Guerre (1909-1929)鈥 (2020, Presses du R茅el) studies the vision of the New Man of several avant-gardes at the time of听 the First World War,听underpinned by听the desire to reenact or cut with听humanism. The book听explores the instrumentalization of the humanist听discourse听in war propaganda to justify the global听massacre听orchestrated by the听European civilization, the subsequent humanism crisis and the response of the avant-gardes.听
In the continuation of this inquiry, Prof. Slavkova is working on an HdR听(habilitation in the French university system)听on听abhumanism, a term coined by French writer, playwright听and occasionally painter听Jacques Audiberti. Loosely related to Surrealism, abumanism involved听Audiberti himself as well as painters/poets Camille Bryen and听Wols, and the writer/playwright/painter Beniamino Joppolo.听This project participates in a larger scholarly effort to reassess the Parisian听scene听after the Second World War. More largely, this research raises onto-ecological听questions on the definition and the limits of the听acting subject, the place of humans in the eco-sytem and the universe, casting into question human supremacy and the linearity of history and progress.
Prof. Slavkova听has edited several volumes and published numerous听papers听related to art to these topics, more recently Surrealism and Ecology (Vernon Press, 2025) and Crisis (Ge Gruyter, 2022).
Education/Degrees
Ph. D. Modern and Contemporary Art History, 2006
University Paris I Panth茅on-Sorbonne, Mention tr猫s honorable avec les f茅licitations du jury 脿 l鈥檜nanimit茅 (summa cum laude)
Dissertation: 鈥淟鈥橦omme n鈥檈st peut-锚tre pas le centre de l鈥檜nivers鈥. La crise de l鈥檋umanisme et l鈥橦omme nouveau des avant-gardes (1909-1930), supervisor Pr. Philippe Dagen
Post-graduate thesis (DEA), Modern and Contemporary Art History, 2000
University Paris I Panth茅on-Sorbonne, Mention Tr猫s bien avec f茅licitations (magna cum laude)
Dissertation: 鈥淒essiner comme 茅crire. La d茅marche de cinq artistes abhumanistes: Antonin Artaud, Camille Bryen, Fred Deux, Henri Michaux et Wols鈥
MA (Ma卯trise) Modern and Contemporary Art History, University Paris I Panth茅on-Sorbonne, Mention Tr猫s bien avec f茅licitations (magna cum laude)
Dissertation: 鈥淲ols (1913-1951). Contradiction dans l鈥檃nalyse et l鈥檌nterpr茅tation de l鈥櫯搖vre鈥
BA (Licence) Art History and Archaeology, 1998, University of Montpellier III,
Paul-Val茅ry, Mention Bien (cum laude)
News
Scholarly work accepted for publication
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- Avant-garde and War, Berlin, De Gryuter, co-edited David Ayers (University of Kent), Sascha Bru (KU Leuven), Kate Kangashlahti (KU Leuven), proceedings of the 9th EAM conference in Krakow expected 2026
- 鈥溾榃ar is particularly humanist and human鈥. War, abhumanism, an opera and a circus.鈥, in Avant-garde and War, Berlin, De Gryuter, approved by the editorial committee, expected 20026
- 鈥淚mmanence et inhumanit茅. 听R茅flexions sur Camille Bryen et le n茅o-dada茂sme鈥, Neo-Dada et n茅o-dada茂smes, 茅d. Fabrice Flahutez et Olivier Penot-Lacassagne, Paris, L鈥橢chapp茅e, expected 2026.
- Earth as a Desert. Ecology and Surrealism, Delaware, Vernon Press, co-edited with Anne-Marie Butler (Kalamazoo College), Donna Roberts (University of Helsinki),听expected Fall 24.听The question of ecology is central to Global Art History and Surrealism studies in particular. The book deals with surrealist conception of nature through the lens humanism crisis, gender norms, (post)colonial issues, criticism of normative positivist scientific methodologies.
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Habilitation Project
Research project HdR at the University Saint-Etienne
听L鈥檃bhumanisme, l鈥檃vant-garde et l鈥檃rt 脿 Paris apr猫s la Seconde Guerre mondiale (working title), HDR project (Habilitation 脿 diriger des recherches), supervisor Fabrice Flahutez (Professor, Universit茅 Lyon-Saint-Etienne)
The project summarizes my research on abhumanism, Jacques Auidberti, Camille Bryen and Wols听during the past 10 years. Key topics were presented at various conferences and all my recent articles explore aspects of this subject. In the French University system an HdR (Habilitation 脿 diriger des recherches) is a second doctorate which qualifies the candidate to become a Professor and to direct PhDs and sit of PhD juries. I am intending to publish this work as a monograph upon completion
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Conferences
- Spring 2024,听Cycle of conferences 鈥淒ecolonizing the avant-garde鈥, with Sascha Bru (KU Leuven) and Isabelle W眉nsche (Constructor University Bremen)听The cycle will comprehend three days of invited talks given by major scholars working on the decentering and decolonization of the the history of the avant-gardes. Hopefully, it will take place at 绿巨人视频 in May 24.
- Fall 2024, 5th conference of the ISSS (International Society for the Study of Surrealism) in Paris with Julia Drost (Centre allemand d鈥橦istoire de l鈥檃rt), Fabrice Flahutez ((Universit茅 Jean Monnet Saint-Etienne) and Olivier Penot-Laccassaigne (Universit茅 Paris 3)听听听The 3d in-person conference will take place at 绿巨人视频 in the Fall of 2024 (during the break). 2024 is the centennial of the Manifesto, many events are scheduled in Paris, which is the birthplace of Surrealism. We are working on collaboration with major French institution (MNAM/Centre Pompidou) and are expecting a large number of submissions.
Publications
BOOKS
2020, R茅parer l'homme. La Crise de l'humanisme et l'Homme nouveau des avant-gardes autour de la Grande Guerre (1909-1929), Presses du r茅el (Dijon) 听
Review 1 by Catherine Dufour, in M茅lusine en ligne, 2020
Review 2 听by Mariana Pinto dos Santos, 芦听Italian Futurism and the Bauhaus through the lens of humanism听禄, : 鈥淎rt in the Periphery 鈥 hommage to Foteini Vlachou",听 苍掳9, 2021 () p. 127- 131.
Review 3 by Abigael van Aelst (KU Leuven), in European Legacy, vol. 27, n掳 7-8, 2022.
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Review 4 by Deirdre O鈥橤rady (University College Dublin): 鈥淭he Crisis of Humanism, the Search for a New Man and the Historical Avant-garde鈥, in The International Yearbook of Futurism Studies, vol. 13, Berlin, De Gryuter, 2023, p. 447-451
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2025, Surrealism and Ecology, Wilmington, Vernon Press, co-editors Anne-Marie Butler and Donna Roberts
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2023, Les Avant-gardes europ茅ennes (1905-1935). Guide illustr茅, Paris, Hermann, Sascha Bru (author), Iveta Slavkova (translator)
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2022, Crisis, Berlin, De Gruyter. 7th volume of the series 鈥淓uropean Avant-Garde and Modernism Studies鈥, co-edited David Ayers (University of Kent), Sascha Bru (KU Leuven),听Li Lin (University of Antwerpen), Kate Kangashlahti (KU Leuven)
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2013, 鈥淗istoire des arts: une m茅thode des exemples鈥, Documentation photographique/La documentations fran莽aise, n掳 8091, co-authored with Marianne Cojannot-Le Blanc (Universit茅 de Paris Ouest)
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2010, 鈥Les Ann茅es 1930听: art et r茅sistance. 脡veil politique et engagement des artistes鈥, Dissidences, 苍掳9, co-edited with Jean-Paul Salles (Universit茅 de la Rochelle) and Vincent Chambarlhac (Universit茅 de Dijon)
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Peer-reviewed articles
2022, 鈥Camille Bryen Avant-Gardist/Abhumanist: A Reappraisal of an Artist Who Called Himself the 鈥淏est-Known of the Unknown鈥, Arts, Volume 11, Issue 2, 43
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2021, 鈥淭he Strange Destiny of Wols, the 芦 French Pollock 禄. Reflections on Abhumanism and the the Parisian avant-garde in 鈥淧eriphery鈥 after World-War II, : 鈥淎rt in the Periphery 鈥 Homage to Foteini Vlachou", 听苍掳9, May 2021, 83-97. ()
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2020, 鈥淐别尘别迟别谤测=颁颈惫颈濒颈锄补迟颈辞苍: Circus Wols, World War II and the collapse of humanism鈥, Arts: 鈥淲orld War, Art, and Memory: 1914 to 1945鈥, Volume 9, Issue 3 ()
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2017, 鈥淗istoire de l鈥檃rt, histoire, culture visuelle鈥, Histoire@politique, n掳33; special issue edited by C茅cile Pichon-Bonin, Anastasia Simoniello, Jer么me Bazin: Image, 茅ducation et communisme dans l鈥橢urope des ann茅es 1920-1930 ( )
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2011, 鈥La bouteille de Wols, la plume de Sartre et une histoire 脿 r茅茅crire鈥, Food & History, vol. 9, n掳1; special issue edited by Val茅rie Boudier and Fr茅d茅rique Desbuissons: 鈥淚nebriating Creations: from the 16th to the 20th Century. Alcohol as Motor, Motif, and Metaphor in (Early) Modern Art鈥
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Book chapters and academic articles
2019, 鈥淯topies sociales et politiques des avant-gardes 1912-1968鈥, La Vie intelectuelle en France xixe et xxe si猫cles, vol. 2, Paris, Editions Points, edited by Laurent Jeanpierre and Christophe Charles, second edition (first published 2016, Editions du Seuil)
First edition on 2016 at Editions du Seuil
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2014, 鈥淟a marginalit茅 comme condition de l鈥檃rt听: l鈥檃lcoolisme de Wols vu par Sartre鈥, Arts drogu茅s. Exp茅riences psychotropiques et cr茅ation artistique, Presses universitaires de Paris Ouest, edited by Miguel Ega帽a et Fabrice Flahutez
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2013, 鈥淟鈥檋omme entre alpha et omega听: vertus et p茅rils de l鈥檜nit茅 absolue. Le logo de听听听听 Schlemmer pour le Bauhaus鈥, Histoire de l鈥檃rt, n掳 71听; special issue edited by Camille Morando听: L鈥櫭塩rit dans l鈥櫯搖vre
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2013, 鈥淪urviving the Collapse of Humanism after World War II: the 鈥楢bhumanist鈥 Response of J. Audiberti and C. Bryen鈥, Contemporary French & Francophone Studies SITES, vol. 3, n掳17
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2011, 鈥L鈥橦umanisme aussi est un mythe. Prol茅gom猫nes 脿 une peinture abhumaniste鈥, Art et mythe, Presses universitaires de Paris Ouest, edited by Thierry Dufr锚ne and Fabrice Flahutez听:
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2010, 鈥淟鈥橢xil avort茅 de Wols au comit茅 Fry. Pour une multiplicit茅 des r茅sistances鈥, Dissidences n掳9听; special issue edited by Vincent Chambarlhac, Jean-Paul Salles and Iveta Slavkova: Les Ann茅es 1930听: art et r茅sistance. 脡veil politique et engagement des artistes
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2007, 鈥淒eux aspects de la crise de l鈥檋umanisme dans l鈥檈ntre-deux-guerres鈥, 惭茅濒耻蝉颈苍别, 苍掳齿齿痴滨滨
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Conference Proceedings
2018, 芦听Entre charme et effroi. 芦 Circus Wols 禄, le r茅cit de Wols des ann茅es terribles听禄, in Nathalie Ponsard and Jean-Pierre Caron (ed.), La France en guerre : cinq 芦 ann茅es terribles 禄 1792-1793 / 1814-1815 / 1870-1871 / 1914-1915 / 1939-1940, Rennes, PUR.
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2016, 鈥淔rom eternal knight to modern hero. The aviator as the New Man of the avant-garde at the outbreak of the Great War鈥, 1914: Guerre et Avant-gardes, Presses universitaires de Paris Ouest, edited by Marine Branland
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2012, 鈥淭he Saatchi Collection Between Art Loving and Self-interested Investment鈥, Modernity of Collection, Torun, Contemporary Art Centre/University of Copernic
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2011, 鈥淟e Futurisme entre propagande et revendication libertaire鈥, Art & Propagande听: jeux inter-dits/Gevaarlijk spel tussen kunst en propaganda, published as special issue of 罢茅尘辞颈驳苍别谤/Getuigen听: revue pluridisciplinaire de la Fondation Auschwitz, n掳111, edited by Luba Jurgenson et Philippe Mesnard
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2010, 鈥淒al铆 entre 1925-1929. Le d茅sir n鈥檈st pas humaniste鈥, Dal铆. Sur les traces d鈥橢ros, edited by Geneva, Editons Notari, edited by Fr茅d茅rique Joseph-Lowery and Isabelle Roussel-Gillet
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2009, 鈥La R茅volution surr茅aliste, un travail collectif pour d茅faire le sujet鈥, La Fabrique surr茅aliste, actes du s茅minaire du Centre de Recherches sur le Surr茅alisme/University of Paris III, edited by Maryse Vassevi猫re, 听听听听听听听听听听听听听听听
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2004, 鈥Circus Wols, un projet de Wols au camp des Milles鈥, Les Ecrits d鈥檃rtistes depuis 1940, Caen, Editions de l鈥橧MEC, edited by Fran莽oise Levaillant
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exhibition catalogs
2017, 芦听Horreur et r茅demption dans l鈥櫯搖vre de guerre de Zinoview听禄, Alexandre Zinoview. Un peintre russe sur le front fran莽ais (1914-1918), edited by C茅cile Pichon-Bonin et Alexandre Sumpf, Paris, Editions Gallimard听; exhibition at P茅ronne, Historial de la Grande Guerre, May 18鈥擠ecember 10 2017
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2008, Notes for听five artworks in Le Futurisme et Paris, edited by Didier Ottinger, Paris/Milan, Editions du Centre Pompidou/5 Continents, translated into English and Italian; exhibition at the MNAM/Centre Pompidou, October 15, 2008鈥擩anuary 29, 2009
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textbooks
2011, French Literature Textbook, High school Junior Year, Paris, Editions Nathan:听听听听
- Hard copy textbook
- Digital textbook with interactive resources (animations, and interactive visual analysis)
- Teacher鈥檚 book (suggested answers and additional development on the images)
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reviews
2024, 鈥淔rom the Origins to Now: Cross-disciplinary Global Approaches to Surrealism. Review of Surrealism听(ed. N. Lusty, 2021) and Routledge Companion to Surrealism听(ed. K. Strom, 2023)听禄, International Journal of Surrealism, vol. 1, issue 2, Spring 2024,
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2022, 鈥A Different Causality and a Different Reality : Analysis of the Absurd in French Dada and Pre-surrealist Theatre鈥, Theatralia, vol.听25, issue 1. Review of Mariana Kunesova Orawczak's book L'Absurde dans le th茅芒tre Dada et pr茅surr茅aliste fran莽ais, Brno: Filozofick谩 fakulta, Masarykova univerzita, 2016
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2019, 鈥淯topie et r茅alit茅 de la fin de l鈥檃rt. L鈥檃rt russe de la r茅volution d鈥橭ctobre 脿 la mort de Staline au Grand Palais鈥, M茅moires en jeu/Memories in stake, n掳 9, Summer听: Fall 2019 (exhibition)
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2009, Catherine Wermester, Grosz, l鈥檋omme le plus triste d鈥橢urope, Paris, Allia, 2008, 72p, notice 117, Critique d鈥檃rt n掳 33
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2009, Chants exploratoires/Minotaure/La revue d鈥橝lbert Skira, 1933-1939, Gen猫ve, Cabinet des Estampes du mus茅e, 2008, 111p, notice 246, Critique d鈥檃rt n掳 33
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2009, Laurence Bertrand Dorl茅ac, Maurice Fr茅churet, Fernand L茅ger, Les Constructeurs, Paris, r茅unions des Mus茅es nationaux, 2008, 55p, notice 197, Critique d鈥檃rt n掳 33
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2009, Nicolas Beaupr茅 and al., L鈥橝utre Allemagne听: r锚ver la paix (1914-1924), Milan, 5 Continents/P茅ronne, Historial de la Grande Guerre, 2008, 112p, notice 242, Critique d鈥檃rt n掳 33
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General Public
2025, Podcast on Automobile in Corsa (Dynamism of a Car) ( ) by Luigi Russolo (1913), Communication and Education Department at the Mus茅e d鈥橝rt moderne, Centre George Pompidou, expected February 2025
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2021, 鈥淐amille Bryen, the Forgotten Glory of Saint-Germain-des-Pr茅s鈥, La Gazette Drouot, October 2021,
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2021, 鈥淪upports/Surfaces: Painting above All鈥, La Gazette Drouot, May 2021,
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2021, 鈥淲ols between Myth and Reality鈥, La Gazette Drouot, February 2021,
Conferences & Lectures
Organization of conferences and talks
November 27th 2024: 鈥Sastuma Hirohachi and his Artistic Circle in Paris in the Interwar Period: Collecting as Politicum鈥, by Helena Capcova (College of Global Liberal Arts, Ritsumeikan University, Osaka, Japan), Art History Department talks in collaboration with the Student Government at 绿巨人视频
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October 28-October 30th 2024: 5th conference of the ISSS (International Society for the Study of Surrealism) at 绿巨人视频 in partnership with with Julia Drost (Centre allemand d鈥橦istoire de l鈥檃rt), Fabrice Flahutez ((Universit茅 Jean Monnet Saint-Etienne) and Olivier Penot-Laccassagne (Universit茅 Paris 3)
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June 12-13 2024, 鈥淒ecolonizing the avant-garde I鈥, at 绿巨人视频 with Sascha Bru (KU Leuven), Fabrice Flahutez (Universit茅 Saint-Etienne) and Isabelle W眉nsche (Constructor University Bremen) and /news-events/news/2024-07-31/art-history-fine-arts-department-hosts-international-symposium
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March 22d 2023 , 鈥淏iodesign: Crossing Art and Science鈥, by Natasha Chayamoor-Heil (CNRS/Ecole de la Villette, Paris, France), Art History Department talks in collaboration with the Student Government at 绿巨人视频
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April 5th 2022: 鈥淛ean Painlev茅: Scientist and Surrealist鈥, by Christina Heflin/University of London, UK), Art History Department talks in collaboration with the Student Government at 绿巨人视频
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November 17th-20th 2022, 4th conference of the ISSS (International Society for the Study of Surrealism),virtual, selection committee, 听
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November 11th-14th 2021, 3d conference of the ISSS (International Society for the Study of Surrealism), virtual, selection committee, 听听
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Dec. 14-15 2010: International conference 鈥Les ann茅es 30: Art et R茅sistance鈥, with the Research lab HAR and the journal Dissidences (presentation of the special issue, the articles and authors, debates and round tables), Auditorium of the University of Paris Ouest
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Academic papers and invited talks
December 12 2025, 鈥淟e grand magasin de Jacques Audiberti et le cirque de Wols. Phantasmagories d鈥檜n monde nouveau apr猫s la guerre鈥, conference 1920-2020: Phantasmagories of war. Forms of antimimesis in the representation of conflict in Western and Eastern literatures, University of Palermo
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November 27 2025, 鈥淐ircus Wols鈥: a Critical utopian听Project in Critical听times鈥, conference Art-critical Reflection, Sofia University Saint Kliment Ohridski
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May 27 2025, "鈥榃e are building a New World.鈥櫶鼳vant-garde artists and the First World War", invited talk, conference cycle "The artist as Citizen", Credo Bonum Foundation, Sofia
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September 17 2024: 鈥溾榃ar is particularly humanist and human鈥. Abhumanism, war, and the zero hour of humanism鈥, 9th bi-annual conference of the EAM Avant-garde and War, University of Krakow
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April 9 2024, 鈥淓ntre r锚ve et r茅alit茅: le surr茅alisme et Paris鈥. Between Dream and Reality: Surrealism and Paris听禄, invited talk at AUBG (American University of Bulgaria), Modern Languages and Arts Department
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February 1 2023, 芦 Il n鈥檡 a pas d鈥檃venture purement humaine ! 禄 Abhumanism in the context of post-World War II Paris, invited talk at KU Leuven (MDRN lectures) ;
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November 19 2022, 鈥Breaking the body limits: the anti-humanist vision of the self in the abhumanist works of Jacques Audiberti and Camille Bryen鈥, 4th conference of the ISSS (International Society for the Study of Surrealism), online
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November 12 2021, 鈥Earth as a Desert: Surrealism and Ecology (revisited)鈥 panel organization and round table with Anne Marie Butler, Donna Roberts, Christina Heflin, Julia Drost, Samantha Kavky, 3d conference of the ISSS (International Society for the Study of Surrealism), online
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May 26 2021, 鈥Penser le corps corps au-del脿 de l鈥檋umanisme, Jacques Audiberti et l鈥檃bhumanisme鈥, The Politics and Narratives of bodies/Politiques et r茅cits du corps, May 26-28 2021, Universidad Nacional del Nordeste (Argentina) and Fernando Gon莽alves,Universidade do Estado de Rio de Janeiro (Brazil), online
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February 12 2021: 鈥淓arth as a Desert: The Ecology of Surrealism鈥, Panel chair and organizer with Anne Marie Butler (Kalamazoo College), for the CAA (College Art Association) Annual Meeting 2021, topic 鈥淎rt and Climate Change鈥, online
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November 3d 2020: Presentation of my monograph R茅parer l鈥檋omme, annual meeting of the 鈥淎ssociation des Amis de Jacques Audiberti鈥, online
March 15 2019: 鈥Abhumanism after World-War II Paris: a 鈥淧eriphery鈥 within a 鈥渃entre鈥, Art in the Periphery, Instituto de Hist贸ria Contempor芒nea da Universidade NOVA de Lisboa e Instituto de Hist贸ria da Arte da Universidade NOVA de Lisboa (Lisbon)
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November 2 2018: 鈥淟鈥檋omme n鈥檈st peut-锚tre pas le centre de l鈥檜nivers鈥澨: Surrealism and Abhumanism, SURREALISMS: Inaugural Conference of the ISSS, Bucknell University Humanities Center
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September 6 2018: 鈥Abhumanism as realism: assuming cruelty鈥, Realisms, EAM (The European Network for Avant-Garde and Modernism Studies), University of M眉nster
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March 12 2018, 鈥World War I and Commemoration鈥, invited talk, seminar Memory and Commemoration in Europe taught by Yael Hirsch, CIEE Paris
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September 15 2017: 鈥淥scar Schlemmer鈥檚 logo for the Bauhaus: the dictate of totalizing unity鈥, Dictators and degenerates. Modernism, Fascism and the Pursuit of Culture, University College Dublin
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June 17 2016, 芦听Entre charme et effroi. 芦 Circus Wols 禄, le r茅cit de Wols des ann茅es terribles听禄, La France en guerre : cinq 芦 ann茅es terribles 禄 1792-1793 / 1814-1815 / 1870-1871 / 1914-1915 / 1939-1940, University of Clermont-Auvergne
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July 18 2014: 鈥淭he Aviator, the Avant-garde and the Great War. The Crossing of the Skies between ultimate spirituality and ultimate potential of destruction鈥, in Annual Conference of the 鈥淪pace in Between鈥 Society, London, Institute of English Studies, University of London
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December 5 2013: 鈥淟鈥檃viateur听: chevalier 茅ternel, h茅ros moderne, Homme nouveau des avant-gardes鈥, 1914听: Guerre et avant-garde, Universit茅 Paris Nanterre
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March 15 2013: 鈥淟a marginalit茅 comme condition de l鈥檃rt听: l鈥檃lcoolisme de Wols vu par Sartre鈥, round table and debate around the publication Les Arts drogu茅s (Presse Universitaires de Paris Ouest), Maison Rouge/Fondation Antoine-de-Galbert, Paris in relation to the exhibition Sous influences. Artistes et psychotropes, 15 f茅vrier鈥19 mai 2013
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November 21 2012, 鈥Histoire des arts听: arts visuels, quelques clefs pour lire les images鈥, ch芒teau de Grignan, Ch芒teaux de la Dr么me/ Minist猫re de l鈥櫭塪ucation Nationale
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September 7 2012: 鈥Rethinking Camille Bryen's Materiality within the Framework of his Own Abhumanist Theory鈥, in Material meanings, EAM (The European Network for Avant-Garde and Modernism Studies), University of Kent, Canterbury
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April 11 2011听: 鈥Le futurisme entre propagande et revendication libertaire鈥, in Art & Propagande听: jeux inter-dits/Gevaarlijk spel tussen kunst en propaganda, Auschwitz Foundation/Biblioth猫que royale Albertina, Brussels
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June 7 2010听: 鈥淨uelle d茅finition pour l鈥檃vant-garde?鈥, round table 鈥淭he End of the Avant-Gardes鈥, invited speaker, Ecole Normale Sup茅rieure, Paris
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September 26 2009: 鈥La bouteille de Wols鈥, in La Cr茅ation ivre. L鈥檃lcool comme m茅taphore, moteur et motif artistique (16-20e si猫cles), Institut National d鈥橦istoire de l鈥檃rt (INHA), Paris
July 2 2009: 鈥淭he New Man and Humanism: Back to the Difference between Dada and Futurism鈥, in Back to the Futurists: Avant-Gardes 1909-2009, Queen Mary University London, University of London, Swansea University 听
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October 17 2008: 鈥淭he Saatchi Collection between Art Loving and Self-interested Investment鈥, Modernity of Collections, Center of Contemporary Art, Torun
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August 18 2007: 鈥Dal铆 entre 1925-1929. Le d茅sir n鈥檈st pas humaniste鈥, Dal铆. Sur les traces d鈥橢ros, Cerisy-la-Salle
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February 3 2007, 鈥淒茅truire le sujet pour construire une communaut茅 nouvelle. R茅flexion sur Dada et le politique鈥, La Destruction et l鈥檃vant-garde, Institut National d鈥橦istoire de l鈥檃rt (INHA), Paris
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October 12 2006: 鈥淟a R茅volution surr茅aliste d茅mythifie l鈥檋umanisme鈥, seminar Fabrique surr茅aliste, Centre de recherche sur le surr茅alisme, Universit茅 de Paris 3
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March 6-9 2002, 鈥Circus Wols, un projet de Wols au camp des Milles鈥, Les Ecrits d鈥檃rtistes depuis 1940, 脡cole Normale Sup茅rieure (Paris)/IMEC (Caen)
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April 5 2001: 鈥淲ols entre la France et l鈥橝llemagne鈥, conference and round table, Centre allemand d鈥橦istoire de l鈥檃rt (Paris)
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Museums and General Public (most recent)
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Affiliations
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- Now-2025: Member of the Research Lab ECLLA 鈥 脡tudes du Contemporain en Litt茅ratures, Langues, Arts, University of Saint-Etienne
- Now-2024: Member of the Editorial Board of EAM series, De Gruyter, Berlin
- Now-2018: Member of the ISSS (International Society for the Study of Surrealism)
- Nominated for Vice-President in 2022
- Now-2017: Member of the association 鈥淟es Amis de Jacques Audiberti鈥
- Now-2016: Member of the Editorial Board of 20/21, Presses universitaires de Paris Ouest
- Now-2016: Accredited as 鈥淐onf茅rencier national鈥 by the French Ministry of Culture
- Now-2012: Member of the 鈥淓uropean Network for Avant-Garde and Modernism Studies鈥 (EAM)
- 2018-2012, Member of the Research Lab 鈥淗istoire de l鈥檃rt et des repr茅sentations鈥 HAR, (EA 3461, Paris-Ouest-Nanterre)
- 2001-2012, Member of the Research Lab 鈥淐ultural and Social History of Art鈥, HiCSA (EA 4100, Paris I Panth茅on-Sorbonne)
Research Areas
- Art, War, Politics, Humanism, New Man, avant-garde, modernism